We’ve been talking a lot about Dark Void on the site. We can’t agree more with composer Bear McCreary’s assessment of Western game music while also sharing love for classic 8-bit music, so we had high hopes for the game and his soundtrack. While we later learned that McCreary would be able to demonstrate his love for 8-bit music by scoring Dark Void Zero, there’s still the orchestral epic that is the Dark Void soundtrack to address. So, is it any good?
I suppose I’m really skirting around the fact that this game got horrible reviews nearly everywhere. Now that I’ve said it, the question is whether or not the poor review scores also reflect on Bear McCreary’s contributions to the game. What I’ll tell you before jumping into the review is that he delivers on his promise to do something different in a Western videogame, but it’s admittedly not all that different from what he’s already been doing in film and television throughout his career.
Find out if that’s a good or bad thing in our review of the Dark Void Original Video Game Score after the jump! (more…)