[click]
“Oooh!”
[click]
“Woah…”
[click]
“Wow, that’s weird!”
[click]
“Oh, I’m so going to use this later.”
[click]
…
Take this type of scene of auditioning patches, and then stretch it out over several days, and you’ll have some idea of what our review time with Spectrasonics’ Omnisphere was like. Of course, this began after I managed to cram all 42+ GB of sample data onto the test workstation. We won’t talk about how long that took.
This new virtual instrument is technically the follow-up and replacement to Atmosphere, Spectrasonics’ previous mega-sound bank, but as far as features and size goes, there is no comparison. Sure, their new flagship synth is massive, but it’s also packing crazy power for synthesis and effects processing.
