Today I learned: Japanese composer and multimedia artist, Baiyon, wasn’t already an employee of Q-Games. After years of friendships and collaborations with the Kyoto based game studio Baiyon has officially joined the full time staff as a Creative Producer. He initially worked with Q-Games as art and sound director on the studio’s trippy plant-former, PixelJunk Eden, in 2008. He then returned for PixelJunk 4am in 2012, helping the studio create a player-controlled music synthesizer and visualizer. In between he contributed music to LittleBigPlanet 2 and more recently provided music and art for indie titles Panoramical and Fotonica.
“For nearly 15 years I’ve acted as a freelance artist, but now I’m taking on the challenge of being a Creative Producer at Q-Games,” Baiyon says of the new position. “I’ve had the privilege of collaboration with many other artists and studios from around the world and accumulating the experience and knowledge that comes with that, but was starting to feel that fully utilizing those as just one person had become difficult. I felt like I needed a place that I could call home in order to do things right.”
No projects were announced with the news but as Q-Games’ latest title, The Tomorrow Children, nears completion Baiyon will most likely be fully involved in whatever comes next. Today I also learned that we’ve got loads of Baiyon coverage right here at OSV! Patrick dedicated a whole week to him back in 2012 so if you’re interested in what might come next from Q-Games, have a look at some of our fine featured posts.
What would you like to see Baiyon and Q-Games do next? The studio has been all over the place from top-down racers to side-on shooters, tower defense and soup capitalism simulators. How about a MOBA?
Tags: baiyon, Composers, Japanese, News, Q-Games
