The majority of the conversation around Metal Gear Solid V’s music has been about the game’s licensed 80’s tracks. Set in 1984, the game’s huge environments are peppered with boomboxes at desert outposts and hostile facilities that belt out some of the most popular tracks of the decade. “Rebel Yell”, “She Blinded Me With Science” and “The Final Countdown” are just a few of the ‘Top 40’ mega hits you can find in the game. But there’s another collection of cassette tapes out in the game world full of original music, the majority of which aren’t featured on either of the game’s soundtrack releases.
These songs feel much more like the Metal Gear music we’ve come to expect. No, there’s no smoldering stealth sax from Norihiko Hibino or 60’s spy funk like Snake Eater but these tracks serve as fitting ambiance for a Metal Gear game. They sound like they could’ve come from the 80’s and yet somehow still fit the overall themes of The Phantom Pain’s main soundtrack. I really want to call out a few of these songs in particular because the original music is easily overshadowed by the licensed stuff.
Combining an edgier synth sound, a shade of New Order’s darker guitar rock and growling lyrical samples, “Behind the Drapery” could’ve come from an obscure German Industrial group you discovered on a newsgroup. Similarly themed is “Nitrogen” with its dark synthwave arrangement. It’s perfectly paced and just subtle enough to load up on Snake’s Walkman to accompany a midnight sneaking mission.
Another good sneaking track is “The Tangerine” which is closest in style to Metal Gear Solid 2’s ambient music. A simple synth melody sets the pace while a soulful horn slowly rises and falls. Add in a hint of guitar wafting by and you could close your eyes and be back on the Big Shell. It’s also nice and long and easy to set your Walkman to loop it in the game.
Especially noteworthy is “How ‘bout them zombies ey?”, which I’d boil down to an EDM hommage to Michiru Yamane’s Castlevania sound. It’s really quite an incredible amalgamation of autotuned vocal samples, synth bass and organs. It’s got multiple breakdowns and just has a wonderful, dark 80’s synth feel. More than any other track, this is the one I get stuck in my head most often.
On the lighter side, “Take the D.W.” could easily be an instrumental version of an anime theme song. Maybe that’s the idea as there are several tongue-in-cheek posters in the game along those lines. Regardless, it’s full of bright keys that pop along while a tinny synth saws out a fun melody. Similarly light is “Ride a White Horse”, a nice soft rock style piece with some touching guitar and synth movements. If this were in Snake Eater I would totally expect it to greatly refill your stamina.
These are just a few of the 25 tracks on Music Tape 1. You can take a listen to the entire selection with this playlist and don’t forget to check out the Original Soundtrack Selection and the new Vocal Tracks album, out now on iTunes. And if you came here looking for those “real songs” from the game and you read this far I’ll throw you a link too.
Tags: 80s, Game Music, Game Soundtrack, Hideo Kojima, Metal Gear Solid V: The Phantom Pain, synthwave
Thanks for pointing this out Shawn – I had no idea so much music was spread through this game. I for one think it’s pretty cool – and a very interesting way to build a gaming environment. I’m curious if there’s even more music hidden in the game. I haven’t played it yet – but it just sounds massive.
I’ve found all the music tapes now but there are even recordings you can pick up of bears growling that will deter guards from chasing you or commanders yelling “Enemy Eliminated” you can play to call off an alert. The way audio in general (music and effects) are baked into this game is really impressive.